1,038 Free Artworks of Architectural Ornaments In Art

metropolitan museum of artwoodcutcorona delle nobili et virtuose donne: libro i-iv (1601)cesare vecelliodepartment of drawings and prints, metropolitan museum of artetching printthe elisha whittelsey collectionmeister des ornamentstichs (1922-1924) illustrationsinternet archive document meisterdesorname02jesspompeiana - the topography, edifices, and ornaments of pompeii (1817)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800461033), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778286754), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777565611), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594036160), 1851
the power of form applied to geometric tracery (1851)
Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste Aurelle Meissonnier', Juste-Aurèle Meissonnier, circa 1742–48
works by juste-aurèle meissonnierpierre chenu
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Crown of Noble and Virtuous Women: Book I-IV, page 27 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 29 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 23 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 71 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women, Book Three, page 13 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women: Book I-IV, page 110 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 86 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 79 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 115 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 52 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 62 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 103 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 89 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room), William Kent, circa 1732–42
william kentisaac ware
Crown of Noble and Virtuous Women, Book Three, page 2 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women, Book Three, page 17 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women: Book I-IV, page 100 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 84 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 50 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women, Book Three, page 15 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women: Book I-IV, page 37 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 59 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 77 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 20 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 102 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 2 (verso), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 7 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 72 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 69 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women: Book I-IV, page 21 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women, Book Three, page 24 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women: Book I-IV, page 67 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Crown of Noble and Virtuous Women, Book Three, page 14 (recto), Cesare Vecellio, 1620
corona delle nobili et virtuose donne: libro i-iv (1601)alessandro de' vecchi
Crown of Noble and Virtuous Women: Book I-IV, page 85 (recto), Cesare Vecellio, 1601
corona delle nobili et virtuose donne: libro i-iv (1601)woodcut
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14595765227)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)pompeii in art - wall paintings
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14595632648)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)pompeii in art - wall paintings
Fireworks display in the honour of Prince Octavio Piccolomini, Duke of Amalfi, celebrating the end of the Thirty Years War, Nuremberg, 1650, Michael Herr
peter troschelmichael herr
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Costume Design for 'Seventh Ballet Girl' (Short White and Blue Striped Dress), Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 28 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 7 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 21 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 19 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
The True Perfection of the Design of Various Sorts of Embroidery, page 27 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 37 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 13 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
Bust of Bacchus surrounded by strapwork, from the series' Deorum dearumque,' a set of images of deities after coins in the collection of Abraham Ortelius, Philip Galle, 1573
joannes van doetecum (i)gerard groenning
The True Perfection of the Design of Various Sorts of Embroidery, page 33 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 37 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 4 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 5 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
'D' Zuyderkerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, Carel Allard
tooneel der voornaamste nederlands huizen, en lust hoven, naar t leven afgebeeld door carolus allardcarolus allard
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Oviedo. Cruz de la Victoria o de Pelayo, en la Cámara Santa de la Catedral - Teófilo Rufflé
chromolithographsteófilo rufflé
Bust of Janus surrounded by strapwork, from the series 'Deorum dearumque,' a set of images of deities after coins in the collection of Abraham Ortelius, Hans Vredeman de Vries, 1573
joannes van doetecum (i)lucas van doetecum
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
"The King's House at 't Loo", in: Theatre of the Most Important Dutch Houses and Gardens of Pleasure, Depicted from Life, Carel Allard
department of drawings and prints, metropolitan museum of artcarolus allard
Architect's Sketchbook and Sourcebook., Ferdinando Galli-Bibiena, between 1700 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14597841749)
meister des ornamentstichs (1922-1924) illustrationsarchitecture in art
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14784512715)
meister des ornamentstichs (1922-1924) illustrationsgiuseppe galli da bibiena
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14597789110)
meister des ornamentstichs (1922-1924) illustrationsarchitecture in art
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14597867578)
meister des ornamentstichs (1922-1924) illustrationsarchitectural elements in art
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14804351203)
meister des ornamentstichs (1922-1924) illustrationsferdinando galli da bibbiena
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14597839679)
meister des ornamentstichs (1922-1924) illustrationsarchitecture in art
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14784164172)
meister des ornamentstichs (1922-1924) illustrationsarchitecture in art
Meister des ornamentstichs, eine auswahl aus vier jahrhunderten (1900) (14597870048)
meister des ornamentstichs (1922-1924) illustrationsarchitecture in art
A young girl, seen from behind, lifting a rabbit into the air for a dog above to grasp, another dog at her feet, from'Ornaments or Grotesques' (Ornamenti o Grottesche), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
Toledo. Guadamur. Coronas y cruces visigodas de Guarrazar - Teófilo Rufflé, Teófilo Rufflé
chromolithographsteófilo rufflé
Der Stil in den technischen und tektonischen Künsten, oder, Praktische Aesthetik - ein Handbuch für Techniker, Künstler und Kunstfreunde (1860) (14596626760), Mathurin Jousse
der stil in den technischen und tektonischen künsten, oder, praktische aesthetik - ein handbuch für techniker, künstler und kunstfreunde (1860)decorative and applied arts in art
Twenty-four riders dueling and forming two columns, from 'La Gara delle Stagioni', Stefano della Bella, 1652
prints by stefano della bella in the metropolitan museum of artbaroque
A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
' ’t Huis te Ryswyk' , in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, Johannes Leupenius
tooneel der voornaamste nederlands huizen, en lust hoven, naar t leven afgebeeld door carolus allardcarolus allard
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14595760707)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)casa del chirurgo (pompeii)
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14595666209)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)historical images of house of sallustius (pompeii)
Ballet Costume - *Habit de Folie, Ballet Pose with Bonnet*, François Joullain, circa 1721
prints by claude gillotfrançois joullain
Grotesk ornament met de godin Diana in het midden, RP-P-OB-38.166, Antonio Tempesta, 1609
prints by antonio tempesta in the rijksmuseum amsterdamrenaissance
Two females in the foreground, one standing the other reclining, surrounded by tree-lined paths; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14802128143)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)peristylia in art
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14759283626)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)pompeii in art (realistic)
Pompeiana - the topography, edifices, and ornaments of Pompeii (1817) (14802140383)
pompeiana - the topography, edifices, and ornaments of pompeii (1817)atriums in art
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
Oviedo. Cruz apellidada de los Ángeles en la Cámara Santa de la Catedral - Teófilo Rufflé, Teófilo Rufflé
chromolithographsteófilo rufflé
Drawing of a wall painting from Pompeii, Prosper Morey, 1833-1834
ancient roman frescos of pompeiiprosper morey
Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Treasury House, 10 Downing Street, London: Plan of the Great Middle Room (Sir Robert Walpole's Levee Room, Northwest Corner, First Floor), William Kent, circa 1732–42
william kentisaac ware
Funeral monument to Charles V, Duke of Lorraine, frontispiece to 'Les Actions glorieuses de S.A.S. Charles Duc de Lorraine', Sébastien Leclerc, 1703–04
department of drawings and prints, metropolitan museum of artsébastien leclerc
Rooftop battle, Utagawa Kunisada II, 1800s
tsutaya kichizōwaraji in art
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